Friday, 11 July 2008

Writing Tips - Summary of the Plot

Tell Me a Story - writing advice

Are you going off the rails, are you lost about what your plot should be doing? Look no further. Check out these simple rules and make sure your story follows them.

A plot should always contain:-

  1. Action
  2. Emotion
  3. Balance
  4. Tension
  5. Momentum

Don't forget that your plot HAS to be plausible, yet larger than life

  • Maintain a notebook of ideas and keep it at hand; it will help you plan your story
  • If you get stuck, try rearranging other writer’s ideas
  • At a basic level, your plot is simply an elaboration of the theme (see earlier post)
  • Don’t ignore rules of cause and effect. Your plot must always be rational, don't let things happen without good reason.
  • A plot should be based on what you know and are familiar with. If you don’t know, find out - do your research.
  • Study other books to find how different authors conduct their plots - don't plagiarize - learn.
  • Remember that there is no such thing as a new plot. Become skilled at dealing with old plots in fresh ways.

Follow these simple lines and you'll soon be on the right track

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Writing Story Dialogue - 12 Cool Secrets

All About Write - 10 Top Writing Tips

Lens Coating - What Everybody Ought To Know

Tuesday, 8 July 2008

An interview with author, Agnes Hall




I’m lucky to have several friends who are published authors. In fact a few of us share the same writing group in Jalón. I caught up with Agnes Hall a few days ago. She’s recently had a new novel released into the market place and is still on a high.
  • I thought it might be good to share our conversation. Agnes, how long have you actually been a writer?
I only began writing after retiring to Spain. I suppose I started writing about 4 years ago. I attempted to write a thriller, with no tuition whatsoever and realised after attending a creative writing class run by a published author, Jill Lanchbery, that I needed some guidance starting at layout before even attempting the content. Jill and I eventually started a Writing Group here in the valley where we live and I have learnt a great deal both from Jill and other members of the group.
  • So is this your first book, or have you published others?
Yes, the first! Apart from the beginning of the thriller.
  • And did you dive straight into a full-length book or did you publish other articles/stories first?
I have had nothing published prior to this. I have attempted short stories and my 'greatest' achievment was to have one short story long-listed in a Fish Publishing Competition. Short stories were a good way to start for me personally and allowed me to build up confidence.
  • That's what I keep telling new writers. I think short stories are a good way to cut your teeth. I wrote for magazines for about fourteen years before turning back to novels. So what prompted you to write this particular story? Does it convey any special 'messages' to the reader?
It's the old chestnut of writing about what you know. The story centres around Liverpool and Ireland. Being the daughter of Irish parents and spending the first twenty years of my life in Liverpool gave me the basis of my story. Relationships, I think are the same whatever the period and my story begins around 1900.
  • And is the story aimed mainly at men or women. What genre would you classify it in?
The story is aimed at both men and women. Male friends who have read it have enjoyed it. As for genre...It is a 'family saga'. My main comment in retrospect is that I think that
I have tried to pack too much into one book. I think that all the characters and relationships could be expanded.....perhaps the next book could do this!
  • I think we all wish we'd done things differently, Agnes. You're not alone, it's the bane of a writers life. We're never satisfied with our work. So, was much research involved, did you have to study anything before you completed the story?
There was a reasonable amount of research required. The story talks about the potato famine in Ireland, the conditions of poverty in which the Irish peasant farmer lived, the
English/Irish problems and also spans two world wars...as I said, perhaps I could expand on all this in another book.
  • Okay, time for a little push for your book. Who is your publisher, is your book available yet, and if so, where?
'The Canvas Bag' is published by Libros International and is currently available on Amazon and associated sites. There are plans afoot for all libros' authors' works to reach the shelves of some of the major U.K. bookstores e.g Waterstones.
  • That'll be brilliant. Would you like to tell everone a little about the writer's circle? How did it evolve, what are the aims?
The writers circle in which I am involved began with Jill Lanchberry and myself getting together to try and get and give feedback from and to other writers. The main aims are to encourage and support and give positive criticism of each others work. Apart from works in progress being discussed, we also have workshops which are often a useful tool to get one's brain thinking in a different way. We meet twice a month and the topics are varied and include not just writing and discussing each others work but everything that goes with writing such as sales and marketing etc. One of the things that we have all found amazing on set projects is that given one topic, the variety of work that arises.
  • That's authors for you - no two minds think alike. Okay Agnes, have you any other books in the pipeline?
I have 2 other books in the pipeline at the moment...apart from what might arise as sequels to 'The Canvas Bag'. The first has a working title of 'A Seafaring Man and A Nice Cup of Tea' the second 'Rasberry Summer, I will not tell you what they are about yet...WATCH THIS SPACE!
  • Wow! Sounds like you've been busy already. I wish I was so far in front. Right then, Agnes, at this point I generally ask guests to give one piece of advice aspiring authors. What would yours be?
Try and be disciplined....I am not and I know that my next two books would be a lot further on if I allocated a specific time each day to work at my writing.
If anyone wants to contact me they can email me on agneshall@terra.es. My website is not fully constructed yet.
  • That's great stuff, Agnes. Thanks for taking the time. I'm sure everyone will have found this inspiring. Good luck with your book sales. Let's talk again soon.





Sunday, 6 July 2008

Jockey writes début novel


Ex- jockey, Kris Prather's professional racing career, was called to a halt by injuries. Now she's following her other obsession, writing.

Prather recently published her début novel, "The Horse Tamer's Niece."

Kris makes every effort to impress by drawing on her racing knowledge in her novel. She hopes it's the first book in a series.

Do we have another Dick Francis in the making?

I wish her well.

Saturday, 5 July 2008

Does Age Matter When Submitting a Manuscript?

Tell Me a Story - advice


AJ, I have two questions. I've heard from various people that some publishers make their choices based on the genre of the book that they are reviewing. My book is, well, it's trying to be fantasy (I'm still in the process of writing it and I should be done in at least five months if I keep working on it consistently). I was just wondering, is that statement true or false? And the last question is should I wait until I'm older to try and get it published? I know I don't know much now, and I'm thinking my thoughts on things may change, but I'm more worried that they won't accept my literature because of my age regardless if it's good or not. Libby J.

Libby J, it's certainly true you should be sure the publisher accepts books in your genre. It would be a complete waste of your time and their's to send a horror story, to a publisher who specializes in romantic suspense ... The best thing to do is check for suitable publishing houses in a trade book such as Writers' and Artists' Yearbook They describe who publishes what, and how to write a letter of submission. They also give information on reputable agents, which might be useful.


In terms of age, publishing houses don't normally question how old an author is. They'll only be interested in whether your work is up to scratch. My main concern is whether you have sufficient maturity of writing. You'll probably be up against writers who have years of experience, so be prepared for rejection - but having said that, rejection happens no matter what the age. It's an unfortunate fact of a writer's apprenticeship.


You certainly show signs of maturity in posing questions about your age and ability, so maybe you ARE ready. I certainly wish you well.
Good luck.
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Treachery: a romantic supense 

Without Reproach: a romantic suspense

Sunday, 29 June 2008

Rounding the Plot

Tell Me a Story - writing tip

Okay, so this is your first story and you're full of excitement. Your novel sets off with a cracking idea, which is of course your main conflict - it is isn't it? So, what to do next?

Now you must engineer, in the most natural way you can, one fascinating problem after another. There must be nothing contrived about them, no coincidences, misunderstandings, or Acts Of God. The problems should come in a sequence of highs and lows, one sub-plot interweaving with another.
The most extraordinary point of your plot should not be reached until immediately before the end of your novel.

At this point, all subplots should be well out of the way. This ultimate peak of drama should come about only from the main conflict.

Coupled with, and part of, this extraordinary point, should be the darkest moment of the story.
The central characters must seem to be up against a wall, but make sure you don't make this absolute dilemma so Byzantine there is no way out. Each time you dream up a situation, scrutinize it. Work out how it affects the protagonists, and the previous and following parts of the plot.
Your reader must be persuaded there is no way to resolve the dilemma – until suddenly, wham, bang, all is unravelled and the story is over. Do it quickly. Tie up all loose ends, leave no threads hanging.

So it's the end. It’s all over and the book is finally closed. Your reader MUST now be absolutely satisfied the protagonists have conquered every problem.
Readers should feel that your novel was about credible people facing tolerable difficulties who found rational solutions. If they don't, you're in trouble!

Thursday, 26 June 2008

Write about What You Know

Tell Me a Story - writing tips.

Write about things you know.

If you don’t know what it is you want to write about, you sure as hell should find out BEFORE starting to write – get out and do your RESEARCH!

Read more about it here on BUKISA


Next post on Tell Me a Story


Story Dialogue - 12 Cool Secrets For Story Dialogue
Lens Coating - What Everybody Ought To Know
All About Write - 10 Top Writing Tips

Monday, 23 June 2008

Form and Proportion

Tell Me a Story - writing tips

All plots must have form and proportion. The story must have balance. Stories that are in balance are beautiful, get it wrong and things start to look ugly.

  1. A plot should never be a tirade of devastation and emotional distress. Readers soon get fed up of things like that, they feel worn out.
  2. Readers need to equate with characters. You make this rapport possible by making sure the events COULD happen in that type of situation.
  3. The pace of the plot should vary. Some scenes must be more tranquil than others.
  4. After a chapter dealing with an important incident, give your readers time to recover by composing a slower paced scene .... not a dull scene of course, but one with fewer contrasts, fewer ups and downs.
  5. Make your plot compatible with life but LARGER than life.

Give your readers interesting and believable variation and if you're lucky, they’ll give you time.

Next post on Tell Me a Story.


Story Dialogue - 12 Cool Secrets For Story Dialogue
Lens Coating - What Everybody Ought To Know
All About Write - 10 Top Writing Tips

Sunday, 22 June 2008

Writing Competitions

For those adventurous spirits who like to enter contests, I've spotted a couple on the web (Places For Writers) that be of interest. If you enter them, let me know how you go on.

New online Cdn mag seeks flash fiction
15 June 2008
New online flash fiction journal, Glossolalia is accepting flash fiction submissions for its opening edition (published September 2008). Not obligatory theme: Deviation. 500 words max. Some submissions considered for Glossolalia's 2008 Summer Flash Fiction contest. First prize: US$200; second prize: US$100. No entry fee.Deadline: August 15, 2008.

posted in Calls , Deadlines: August 08
-->

New contest seeks unique literary voices
15 June 2008

New deadline. Pop Montreal and Matrix Magazine are looking for fiction and poetry entries for the Matrix Litpop Award. Categories: Fiction (5000 words max.) and Poetry (up to 5 poems). Prize: a round-trip ticket to Pop Montreal from October 1-5, 2008, a VIP pass, accommodation, publication in Matrix Magazine with full honorarium, and presentation at a special Matrix Litpop event.

Entry fee: $25. Deadline: July 15, 2008. More details...

Next post http://ajbarnett-story.blogspot.com/2008/06/question-how-to-get-published.html

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Story Dialogue - 12 Cool Secrets For Story Dialogue
Lens Coating - What Everybody Ought To Know
All About Write - 10 Top Writing Tips

Question - How to get published

Hi Anthony, I've been working on a book for about a year. I plan to write a sequel and to get them both published. How do I go about doing that? I want it as inexpensive as possible. How much do you usually get from the sale of your book?

Angie, this is a somewhat similar question to a recent one. Once your book has been polished as much as you can - once you've cut away all purple crap .... when you're sure everything has been corrected, then send a query letter to a publishing house.

Ask permission to submit your book. Give the genre, word count and a brief synopsis, then sit back and pray like there's no tomorrow.

If they like your work, they might ask you to send the first three chapters. Your work must be submitted to the industry standard, of double type space etc, (see my post http://ajbarnett-story.blogspot.com/2008/04/conform-or-else.html for full explanation of their requirements).

There will be no cost to you to publish through 'normal' publishing routes. Editorial costs will be met by the publishing house (but your work will be expected to be at a reasonable level before being accepted)

If you're planning to self-publish (paper or ebook), you might be interested in an interview I gave with author, James Melzer, ( http://ajbarnett-story.blogspot.com/2008/05/interview-with-author-james-melzer.html ) who's going down the path of publishing with Lulu. He gives the breakdown costs and talks of his experience.

Royalties on sales vary with each publishing house and range from 7% to 12% of sale price. Royalties with self-published books are set by yourself and you'd need to check what other writers of the same genre are selling their books at.

Hope this helps a little.

Next post http://ajbarnett-story.blogspot.com/2008/06/new-r.html

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Right Write - 8 Cool Tips To Invoke Emotion
Story Brief - Balance, Proportion And Plot
20 Ways To Write A Story Better

Saturday, 21 June 2008

New Resorce for Californian Writers

“A Community of Writers and Artists” is what Diane Mierzwik and Kris Cirullo call their new centre for writers and artists in Yucaipa, California. It apparently has an ambience deliberately designed to help the old creative juices flow.

The opening of “THE WRITERS GALLERY” at 12054 First St. in Yucaipa was deemed a success. Many people interested in the new resource vied to be the first to see what it was all about. To help the writers, Mierzwik, has made available a set of useful references such as online Writer's Market and numerous other assets that play an essential role in the artistic and writing world.

It’s a spot where disruption is rare, yet questions can be raised, to be answered by a published author who has “been there and done that” and is willing to help others get their ideas published.

Good on 'em. I wish them success. Anything that helps new writers on their way has to be applauded.

Next post http://ajbarnett-story.blogspot.com/2008/06/question-what-next.html

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Right Write - 8 Cool Tips To Invoke Emotion
Story Brief - Balance, Proportion And Plot
20 Ways To Write A Story Better
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Friday, 20 June 2008

What next?

Tell Me a Story
Hello Anthony, I have almost finished my first novel, what are the next steps I need to take to get published, become successful, and make lots of money?
Make lots of money? Wow, hang on there a moment, Joanne. Very few novelists make sufficient money to live on - most have to keep their day jobs to survive. However, you might be the exception, so take heart.
  1. The first thing is to put your book in a drawer for a month or so. At the moment it’s all too fresh in your mind. Take a breather, write something completely different and recharge your mind.
  2. Next, check it over it with a specialist eye, do your editing. Check spelling and grammar, chop, cut, and slash unwanted bits.
  3. Remember that sometimes it's what you don't say that makes a novel great and has readers turning the pages.
  4. Make sure there are no purple bits, cut out all adverbs and adjectives unless you're confident you can't do without them. Over-writing makes your work look unprofessional.
  5. After all this refinement, once your work shines, send a letter of submission to an agent. Make it short, polite and to the point. Include genre, word count and a short synopsis (look to book blurb for an example) don’t plead, don't promise, just ask respectfully and you MIGHT get a reply.

Be prepared to suffer rejections though, all authors do. As for money.... according to the grapevine, out of 150,000 books published each year, 100,000 will not sell more than 100 copies. Money? Hardly! Sorry, but the majority of novelists don't get rich.

YOU might just be the exception though. I wish you luck.

Next post on Tell Me a Story.


Thursday, 19 June 2008

Harness That Gift

Tell Me a Story - writing advice


Anthony, I've a problem. I have a story floating around in my head. I know the character's names and what I want in the story- but every time I try to write something- it just doesn't feel right, its weird. As I start to type, I seem to loose interest. In a weird way I want to write-but for some reason, I can't.

Thanks for the email, Kiba. There are a few things you can do that might help. First you need to be sure you really want to write. If you do then nothing should stop you. Don't let anything get in your way.
  1. If you want to be serious, the first thing you should do is beg, buy, or borrow, a couple of books on creative writing. All writers need to get to grips with the basics of story telling. The idea of writing may seem like a fire burning into your soul, but unless that fire is fed with the oxygen of skill, those flames will fade and die.
  2. A textbook on creative writing will show you the right way to tackle your story and help you to become fruitful. You'll appreciate the why and wherefore of what you're doing.
  3. Artists in every genre - dancers, painters, musicians, all have to learn before they can harness their unrefined gift. They study for YEARS before they find success. They all display flair in the first place of course, but without direction that flair will flounder. Writers are just the same.
  4. You should stop listening to lay people. You’ll probably find a lot of friends offering advice - telling you how good you are - telling you where you're going wrong..... forget it. Listen ONLY to skilled writers or editors. Friends and family can be too enthusiastic or too critical – they won’t look at it with a qualified eye – they’re too close to you.
  5. If you're really serious you should join an online Writer’s Circle. They're free, friendly, and full of like minded people - some with years of experience to tap into and take advantage of.
  6. You should try to find a local writer's group - mixing with other writers will work wonders for your morale, they’ll offer good advice and give a professional critique to your work. you'll soon start to feel like a real writer - what more could you want?

Hope this helps you on your way a little. Don't give up, don't get dispirited - just keep writing and one day it will happen.

Next post on Tell Me a Storyj


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Right Write - 8 Cool Tips To Invoke Emotion
Story Brief - Balance, Proportion And Plot
20 Ways To Write A Story Better

Wednesday, 18 June 2008

How Many Times to Edit?

Tell Me a Story - writing tip.


AJ, how many times professional writers edit? I was under the impression that professional authors would edit a piece upwards of 10 times before it appears in print.
My friend, however, who has read many interviews with writers, thinks that most professional authors revise only a couple of times before they are done and sometimes don't even do any. I'm confused.
Thanks for writing in, Alice. It's no use submitting a piece of work that you're not happy with. ALWAYS edit until you're satisfied. If you ain't happy, gal, the publisher sure as hell won't be ....

When I'm writing I check over the previous couple of pages before I start (and generally spot something to correct); but reading the previous days work puts me into the correct frame of mind - keeps me on track.
Once my precious work is complete, I edit numerous times. I really can't say how many, probably five or six complete checks. I ruthlessly chop away all excess baggage, every word has to count otherwise it's thrown out.
I check grammar, spelling, timelines, and such things as consistency of names and words (don't use mister at one point and Mr. at another). I make sure all loose ends are tied up, and that all changes have been smoothly incorporated.

As an aside, on the morning that Without Reproach was to be handed over to the publisher, I changed the whole of the first three pages - PANIC!!!
Leaving a story in a raw state.
Some writers brag on internet sites that they don't edit - they claim that editing robs the story of life. I've NEVER subscribed to the idea of a story being at it's best whilst it's RAW.
I shudder at the thought my work in it's raw state. In my opinion that's a lazy writer making excuses ... but when their stories are rejected they say it's because the publisher doesn't understand their ART. Rubbish!
Good editing is what moves a story from the realms of amateur scribblings into that of a professional piece of work.
Polishing your work is vital to make it acceptable to a reader. Hone, hone and hone again. Make your work gleam before offering it to the public - they'll tear it to pieces if you don't.
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Looking for a good read? Try:-

or
Past Sins - Contemporary fiction

Tuesday, 17 June 2008

My Internet Interview

I was interviewed recently by Canadian author and blogger, James Melzer. I'm generally on the other side of the fence, and I must say I found it an odd experience. I've come to the conclusion that I'd rather ASK questions than answer them, I'm a listener, not a talker you see. Maybe that's why I use written words so much.

I've been interviewed live on radio, which I absolutely hated. I've had a couple of telephone interview with newspaper reporters from the UK and an on-the-spot-live radio interview over the telephone.

I'm not good at interviews. I'm quite shy really, not at my best when under the spotlight. TV presenters be warned!!!! If you want to grab me, a stiff drink will be in order.

I'd love you to visit James' blog at http://jamesmelzer.net/ and let me know your thoughts. I think he's a good guy.

Contact route as usual at the top of the page.

Next post http://ajbarnett-story.blogspot.com/2008/06/writing-tips-creating-tension.html.

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Right Write - 8 Cool Tips To Invoke Emotion
Story Brief - Balance, Proportion And Plot
20 Ways To Write A Story Better

Monday, 16 June 2008

Creating Tension

Tell Me a Story - writing tip

AJ, how did you create tension in your novel? I couldn't stop reading PAST SINS. I simply HAD to find out what happened next. How can I create something similar, my stories always seem to fall flat?

That's very kind of you, Mary. Thank you. I've compiled a short list for creating tension, that is at least a starting point.
  1. The goals of the main protagonists should be at odds.
  2. Each of the main characters must be struggling to reach their individual aims, independent of, and at the expense of the other.
  3. The route your protagonists take in achieving their aims becomes the source of action. You should make a meal of it; take full advantage.
  4. The plot should have an emotive aspect. It should always be dynamic.
  5. Strong feeling shouldn’t merely be related in characters; show by reactions, don't tell.
  6. It’s the emotion that you invoke in your readers that counts.
  7. It’s essential you understand the feelings you wish to stir in your reader before you write. You must write with that emotion in mind at all times.
  8. The theme of the story should be one about which you care deeply.
  9. You must be affected by your characters, be caught up with what happens to them.
  10. Unless you believe in your characters and equate with their struggle, you may as well dump the whole idea. Your work won’t have the oomph that tempts people to turn pages.
Coupled with the above, a time constraint can also help in creating tension. Having to acomplish something before some consequence affects the characters is always a nail-biter. Hope this helps a little.

Next post on Tell Me a Story.

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Sunday, 15 June 2008

Writer's Gadget!

Ever on the lookout for gadgets and widgets, I came across this wonderful little site http://www.creativity-portal.com/prompts/imagination.prompt.html It's supposed to be an imagination stimulant.

By clicking the button a seemingly endless stream of little prompts jump to the screen to stir the old mind juices. I can see it being quite useful if your mind gets stuck in a tramline.
They claim it helps you to 'think outside the box'. It might even help if you suffer from the dreaded writer's block, but that remains to be seen.

Give it a whiz, even if only for fun. It's a great little diversion, need I say more.

Let me know how you get on.

Next poat http://ajbarnett-story.blogspot.com/2008/06/writing-tips-action-and-plot.html


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Right Write - 8 Cool Tips To Invoke Emotion
Story Brief - Balance, Proportion And Plot
20 Ways To Write A Story Better

Thursday, 12 June 2008

Fun Writer Gadet

For those of you having trouble getting started with your next story or if you have writer's block. Here's a brilliant little tool. It gives hilarious results. I thoroughly enjoyed it. Click here to give it a whiz ... let me know how you go on!

http://www.geoffrey.com.au/story.htm

Quite basically, it's an automatic story generator - something that could quite easily put us all out of work ....

I've no idea who's produced it, except he calls himself Geoffrey. Good luck to you sir. You're a genius. You quite made my day!

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Right Write - 8 Cool Tips To Invoke Emotion
Story Brief - Balance, Proportion And Plot
20 Ways To Write A Story Better

Wednesday, 11 June 2008

There's a Chance After All.

There's hope for all first time writers.

It gladdens my heart when I pick up news like this. In the old 'Down Under' regions, in beautiful New Zealand, writer Mary McCallum has made it. Her début novel, 'The Blue' has been selected into the finals in the fiction category for the Montana New Zealand Book Awards.

So for everyone punching out their first scribbling, your first novel might just do the same. For the talented few, it seems it can still happen .

The Wellington writer's debut novel is up against Laurence Fearnley, for Edwin & Matilda, Alice Tawhai, for Luminous, and Charlotte Grimshaw, for Opportunity.

Ms. McCallum has been a broadcast journalist in New Zealand and Europe, and is now a freelance writer and reviewer.

She is one of five Wellington finalists in the country's most prestigious literary awards. I wish her well. I know the other writers won't appreciate my comments, but the idea of a new novel hitting the high spot fills me with hope.

Good on you sport! I wish I could join you.

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Right Write - 8 Cool Tips To Invoke Emotion
Story Brief - Balance, Proportion And Plot
20 Ways To Write A Story Better

Tuesday, 10 June 2008

A 30 second Review

Just finished reading James Melzer's 'The Vegetarian'. I was very impressed. Don't usually read this genre, but I really couldn't stop.

The story falls into horror, yet not scarily so. It was an interesting concept, well thought out. It moved between past and present using flashbacks with an ease that only a talented writer can manage. The central character earns money by volunteering as a medical guinea-pig...


Try a download or better still purchase the hard copy. Both available from Lulu Storefront - http://www.lulu.com/jamesmelzer

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Right Write - 8 Cool Tips To Invoke Emotion
Story Brief - Balance, Proportion And Plot
20 Ways To Write A Story Better

Finding That Plot

Tell Me a Story - writing tips


AJ, can you PLEASE let me in on the secret of finding decent plots. I've been struggling and am getting nowhere?

Hi Jean. Thanks for the email. If you're unbelievably lucky, a plot will appear to you fully formed. This rarely takes place - okay Stephenie Meyer might have done it, but don't count on it.... Don’t despair though, there are other sources. Try these as starters.

  • Refer to the ‘Agony Aunt’ columns in magazines; you'll find they'll fill you with ideas for stories.
  • Go to your library and read the blurb from some books in your genre and work them into your own. Don’t pinch a complete plot from a published book though; use them as launch-pad for your own. Plagiarism is frowned upon.
  • Checkout the Personal Column in newspapers. They can be a rich source of plots and ideas.
  • Read the Obituaries, as macabre as it seems, there might just be something lying around in there that triggers you off.
  • When you’re reading a bedtime story to the kids think about ‘maturing’ the plot, can it be brought up to date?
  • Fairy tales, myths, and legends offer a good supply of plots that can be adapted.
  • Take a published story, rearrange the plot, make male protagonists female and you’ll start the ball rolling in your head.
One more thing. Don’t wait to find an ultra unique plot. There’s not much chance of finding one after all these years. Just settle for a damn good, well-written story.
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