Tell Me a Story
"The best part of every author is in general to be found in his book."
- Samuel Johnson -
Structure of a novel - saleable stories
To produce a saleable novel you must have
Structure is perhaps one of the ignored elements of a novel, yet it is crucial to understand.
Structure of a novel - convention
The more a novel digresses from conventional structure, the less readers will with bond with it. Agents and publishers know that when readers connect to a story it can equate to book sales. Conversely, a story that strays too far from accepted structure makes readers confused or bored, so inevitably it ends on the slush pile.
Experienced editors say they can tell in a few minutes if an author has a grasp of narrative structure.
Structure of a novel - understanding
The structure of a novel is often the stuff new writers don’t understand. There are a lot of struggling writers out there who write by the seat of their pants, believing that stories magically sort themselves out. They are wrong. When writers lack a fundamental understanding of the structure of a novel they set themselves up for a bundle of wasted effort.
Structure of a novel - what is it?
Plot and structure go hand in hand, but whilst plot is about those elements that go into the amalgam to make a good story better, the structure of a novel is about phasing — where in the amalgam those elements go.
When you read a novel that doesn’t quite hold your attention but you don‘t know why, the cause is perhaps structure. The story may have good characterization and interesting dialogue, it may have exciting locations, yet still doesn’t develop in a way that keeps you turning the pages.
The structure of a novel is to do with the building blocks, the elements that are internal and rarely seen, yet define what eventually will manifest on the outside. Structure binds novels together, and helps give meaning and impact to the tale. The most important of the building blocks are perhaps ‘cause / effect’, ‘scene’, and ‘sequel’.
Structure of a novel - Cause and Effect.
The most fundamental of these building blocks are cause and effect. Cause and effect exist relative to each other and are a prerequisite for each other. All effects should be due to a cause, and all causes must have an effect. Acts of God have no place in modern writing. There must always be reason and logic behind all things in your story or readers will throw up their hands in disgust and your precious work will end in a slush bin.
Structure of a novel - The Scene.
The numerous minor causes and effects that occur during the plot, group together to form scenes. The scene is another elementary building block of fiction. The scene is made up of three parts.
- Failure of the character to reach the goal.
There must be a goal(s) or there is no story. The central character(s) must strive towards some almost impossible ideal or purpose. In the path of this striving should be obstacles, and these create conflict. All stories should have conflict. Without conflict there is nothing to tell.
There should be one, and only one, primary goal and this should run through the whole of the novel. The primary goal is the purpose behind the tale. The primary goal should be made plain at the outset of the story. There can be numerous minor goals and conflicts that trickle in and out as the story unfolds. The primary goal should not be resolved until the story reaches the end, but minor goals can, and should, be disentangled as the story progresses.
Structure of a novel - The Sequel
The sequel is another elementary building block of a structure and forms the emotional strand. The sequel frequently commences at the close of a scene when the main character has to deal with the unforeseen but logical calamity that happened towards the end of the scene and prevented the character(s) from reaching the final goal. The sequel contains:
Structure of a novel - The link that works
By linking scenes and sequels with interesting narrative composition you will have a novel that readers will enjoy.
Understanding the structure of a novel is not writing to a formula, it is making sense of writing at an elemental level. Perceptive readers expect and accept variation to this structure, but there are limits to that variation. Swerve too far and you risk losing the reader by boring them or puzzling them too much. We can certainly push the boundaries, but we must be conscious of those rules…before we break them.