Showing posts with label romantic suspense. Show all posts
Showing posts with label romantic suspense. Show all posts

Monday, 4 July 2011

Romantic Suspense on Smashwords

Tell Me a Story

Just a quick post to let everyone know that WITHOUT REPROACH is now available on Smashwords - which means that within a few days it could be in Apple and Sony ebook stores.

If you've never used Smashwords, try it. They are ebook publisher/distributors who make  ebooks available in numerous formats for every reading pleasure.

If you fancy a steamy romantic suspense  then give WITHOUT REPROACH a try - you can even download a 20% sample free to see if it tickles your fancy - now what's fairer than that.

Saturday, 25 June 2011

Free PDF Book

Tell Me A Story  - Free PDF Book


Okay, I know I'm mad - but I'm offering 10 free PDF book versions of the romantic suspense, WITHOUT REPROACH, to anyone willing to write an unbiased, honest, Amazon review.

WITHOUT REPROACH is available at Amazon.com for $2.99 and Amazon.uk for £2.13 - but a free PDF book can be yours. Just send an email to tbarnett@terra.es and 10 readers will picked at random from the applicants


The only requirement is that you already have an account with Amazon so that you can add a tag to the book, and leave an unbiased review. It doesn’t have to be a long rambling review, a few honest lines will be fine. If you find you like the book, an Amazon ‘like’ won’t go amiss either.




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End of - Free PDF Book -

Thursday, 16 June 2011

Review of Treachery

Tell Me A Story

Yay! I have just had my romantic suspense, TREACHERY reviewed by the best selling author, Erin Kern, on her blog.

Take a look here to see what she had to say about - TREACHERY




Thank you Erin. Much appreciated.

Sunday, 22 May 2011

Another Sample Sunday

Tell Me A Story - TREACHERY

Sorry to my regular readers, but Sample Sunday is a Twitter hashtag that allows writers to communicate a sample of their books to prospective Twitter readers. This week I've taken a sample from Chapter One of TREACHERY - available from Kindle at 99 cents
TREACHERY - A Romantic Suspense
Katrina carefully put down the huge, fragile volume, still open at the page. It was ancient, a tome: a digest of work from times long gone.
Francine grinned. “So, it might be useful then?”
“Useful? It’s incredible! I’ve been struggling to do something like this for ages. I can’t believe they cracked it so long ago.”
Francine settled into her chair. “If you read on, it tells you something about how they do it. It’s all technical stuff. It doesn’t mean a thing to me, but I’m sure you’ll understand it.”
“I really can’t thank you enough.” Using a tea towel, Katrina carefully twisted the cork from a bottle of Bollinger so that it didn’t pop, tilted Francine’s glass, filled it with froth then filled her own.
“It’s no problem.” Francine took the glass, held it to the light, watched the bubbles for a moment.
“Well it means a lot to me. Where on earth did you dig it from?”
“Aunt Moll. It was amongst the stuff when we cleared the house. She was a hoarder you know, kept anything and everything. There were boxes everywhere. To be honest, I was on the point of throwing it away with other junk, but spotted the samples and thought of you.”
“I’m glad you did.”
“I thought to myself, my friend Kat, she might like this… It’s okay then?”
“It’s more than okay. It’s brill!”
“Moll used to prattle on when I was a kid, telling me tales about her grandmother… I loved it. You know how kids love stories… daft stuff... I think she had the book from her. I’ve no idea where she had it from though, but I know it’s as old as the hills. You can tell by the look of it can’t you.”
“I know. It looks as if Moses made it.”
A sheet of fine paper covered one of the samples. Kat carefully peeled it away, and revealed the delicate fabric beneath. It looked new, as if it had been made yesterday. Childlike, she touched the fabric, letting it hang over her fingers. It clung rather than hung… almost liquid, shimmered in the light.
“Good then?”
“Good?” Kat said, “It isn’t good, it’s fantastic! I think something like this would really add wow-factor to my outfits.”
“I’m sure it would. And just think what it will do for you.”
***
Eduardo rubbed his nose.
A bad sign. Rafael learned a long time ago that when Eduardo rubbed his nose it meant trouble. He said, too hurriedly, “Like I say, nothing can go wrong. I mean; you have to admit I know my stuff. No-one knows the rag-trade better than me.”
“Don’t they?”
“You know they don’t. I’m the one. I’m the best… and I’m telling you, it’s like nothing I’ve seen before. Man, this stuff is the finest.”
“What about balance sheets, market plans, forward projections?”
Jeez!” Rafael pulled a face. “You’re a hard bitch. Look! These are unknown factors at the moment. It’s a winner though, and I’m sure that…”
“A winner? And just what do you mean by that?”
”I’m telling you. I feel it. Gut instinct says ‘go for it baby’. You know I know my stuff and…”
Eduardo put up a hand to stop him. “I know you’re asking for a bagful of money, with nothing to back it up. No collateral, no plan, nothing. If the job screws up, if you screw up, what is there? Naff all.”
“Why are you talking like this?”
“It won’t be the first time you’ve messed-up.”
Rafael glared, hardly believing Eduardo was taking this attitude. He said slowly, “Well stuff you!”
Eduardo shrugged.
Rafael breathed in deeply. It was slithering away from him. He stared around, suddenly despondent. The office looked out over the busy streets of Valencia. Down there, way below, people scurried, traffic blared, exhausts fumed. Up here, it was calm, peaceful - except for the bile rising between them. On the walls were a couple of original watercolours by some artist whose style he recognized, but crap-knows from where. The office furnishings were sparse; chrome and leather, modern. A calendar hung behind Eduardo, no markings on it. His own calendar was scribbled to high heaven. No wall-charts to be found here, not in this high-tech office, it was paperless, everything on computer, all white, chrome, and damn-all soul.
What happened if there was a power cut? Would Eduardo’s commerce die? Well stuff Eduardo! He hoped they had a power failure every day.
He said carefully, “Okay, I might have got a couple of things wrong in the past. Not this time though… Look… Come with me. See for yourself. You’ll change your mind. I know you will.”
“And what about your Papá?”
Jeez! Rafael held his breath. When was this mess-up going to end? It was a farce. He knew he must sound desperate, but what else, what other way to do it? He tried to be nonchalant. “Damn Papá!”
“Isn’t he the one you should be trying to convince? My interests lie in hotels, not clothes. Fashion just isn’t my scene.”
Rafael’s stomach churned. He didn’t know how to turn the situation around. He wanted to, he badly wanted this thing to happen, but hadn’t a clue how to go about it. He’d been on cloud nine since his discovery and assumed that everything would fall into place. The cloud was drifting away.
He’d convinced himself that Eduardo would jump at the chance. He hadn’t and Rafael didn’t know what else to do; there was no ‘Plan B’
He felt a surge of irritation as he watched Eduardo study his fingernails. It was as if this was nothing, instead of the biggest thing to happen in Rafael’s life. He said, “I wanted this to be my scene, my bit. Up until now, I’ve been at Papá’s beck and call. I want to prove to him that I can hack it on my own.”
“So it’s your way of looking for praise from Papá?”
“I want to show him I’m worth something.”
“Don’t you think it’s a little late for that?”
Rafael stared him out. He eventually said, “Damn you!”
Eduardo shook his head. “Do you honestly think you can feed me bullshit?”
“I wouldn’t…”
“Do you know what I’m thinking? I’m thinking maybe you just want to sneak behind your Papá’s back and steal the show for yourself. You want to set up in competition and…”
“I wouldn’t…”
Eduardo raised his hand to silence him. “And you want me to sponsor it.”
“But it wouldn’t be competition. Don’t you see? It would be a business venture in its own right. Papá doesn’t go for that sort of thing. He likes a quick turnover.”
“Not from what I understand. He deals in quality stuff. That’s not quick turnover.”
The problem was, Papá had flatly refused, said it wasn’t worth the effort, said if the company were in such a bad way, the stuff couldn’t be up to much. 
Rafael took a deep breath, no use telling lies. “Look…” he said. “Papá simply isn’t interested, and you know what he’s like once he’s made his mind up.”
He stuck his hands in his pockets, walked stiffly to the huge window and stared morosely. He watched Eduardo’s reflection in the window.
“That says it all then doesn’t it? If he shows no interest, why should I?”
“You’re not backing me then?”
Eduardo shook his head. “I guess not.”
“That’s that, is it?”
“I guess so.”
Rafael spun on his heels and walked to the door. He’d show him, he’d show them all. This wasn’t something he was going to let go without a fight. There was a fortune to be made and he was damned if he was going to let anyone else get their hands on it.
“Rafael…”
Rafael paused.
“You're behaving like a complete ass-hole. Put a business plan together. Do it properly, or you'll end on your butt."

Sunday, 15 May 2011

Sample Sunday Again

Tell Me A Story

This is my effort for  #samplesunday on Twitter - the opening paragraphs from PAST SINS under my pen-name Ellie Jones - a Kindle romantic mystery. I hope my regular readers forgive my indulgance.

CHAPTER 1

The face in the mirror reminded her of a bad shave in a cartoon. It was full of nicks and scratches, and visible ends of stitches where flesh had been sewn back together. The trouble was, cartoons were supposed to be funny but this cartoon made her feel like crying… Where had her face gone?
Apparently, after they’d brought her in she’d remained unconscious for several days - and they said she was lucky… She felt like shit.
Her shoulder had been pinned together, her head, a tiny metal plate inside. It was true that only a small chunk of swirling dark hair was missing but it made her self-conscious. Her once petite nose was swollen, discolouration fading but noticeable, high cheekbones marred with stitches.
“You haven’t caught me on a good day,” she said, glancing from the mirror to the woman by her bed. “I could be bitchy.”

Sunday, 8 May 2011

Sample Sunday


Okay so this is my offering for #samplesunday on Twitter - the opening few paragraphs from WITHOUT REPROACH

CHAPTER 1

The face in the mirror reminded her of a bad shave in a cartoon. It was full of nicks and scratches, and visible ends of stitches where flesh had been sewn back together. The trouble was, cartoons were supposed to be funny but this cartoon made her feel like crying… Where had her face gone?
Apparently, after they’d brought her in she’d remained unconscious for several days - and they said she was lucky… She felt like shit.
Her shoulder had been pinned together, her head, a tiny metal plate inside. It was true that only a small chunk of swirling dark hair was missing but it made her self-conscious. Her once petite nose was swollen, discolouration fading but noticeable, high cheekbones marred with stitches.
“You haven’t caught me on a good day,” she said, glancing from the mirror to the woman by her bed. “I could be bitchy.”
“You’ve been a hard person to trace, Jenny. I’ll manage.” The woman proffered her hand. “Maria Santos, abogada.”
Jenny frowned.
“You’d probably call me a solicitor back in Britain. A lawyer.”
“I know what an abogada is. What I don’t understand is why you’ve been tracing me.”
Jenny took the hand in her good hand as best she could. It hurt her shoulder though, and she wished she hadn’t. She’d almost learned to move without moving, would probably make a good busker when she got out.
“Sorry! I should have realised. Are you feeling up to this?”
“I guess so. But I’m still woozy. I’m afraid you’ll have to bear with me.” She put the mirror onto the cabinet by the bed.
“Say if you want me to leave.”
“I’m fine. I’ll be okay, just don’t expect too much.”
The woman undid her attaché case, took out a sheaf of papers and studied them. “I’m afraid red tape in Spain is rather cumbersome. I sometimes wonder if one day we’ll get buried under our own paper work.”
Jenny became curious and struggled into a sitting position. Denia hospital was far from home and the prospect of company, a treat. The next bed was empty. It had been occupied for a while but the woman was gone, discharged. There’d been hardly anyone to talk to for days. Not that the woman had spoken much, but she’d been a face to look at, someone to share her frustration with.
“Is it the accident? I wasn’t driving you know. I can’t remember much about it but I wasn’t driving. I’d scrounged a lift after a party.”
There had been a confusion of red tail-lights, a blocked carriageway, the car jolting, scraping, bucking; nowhere to go before they hit metal. She’d drawn her knees up; instinctively lowered her head; willed her whole being to shrink up her backside. It was sounds she remembered the most; metal screeching, glass splintering, sounds she didn’t want to recall.
“No, it’s nothing to do with the accident.” Maria shook her head, her eyes all the time on Jenny, perceptive, no sign of emotion. “Okay, so let’s start with your full name.” 

WITHOUT REPROACH is available from:
Amazon Kindle USA for $2.99 
Amazon Kindle UK   for £2.13

Monday, 2 May 2011

Fascinating Stories Behind Fairy Tales

Tell Me a Story

From Matchacollege.com

It’s a little disconcerting to know that the real stories behind the fairy tales that made your eyes go all sparkly as a child were originally tales of rape, self-injury and forced abandonment.

The inspiration behind these stories simply resonated more clearly and relevantly with audiences at the time they were created, and have since been adapted to please our morals and desire for happy endings today. Whether you’re a literature student or just interested in "real-life" accounts behind fictional tales, there are fascinating histories behind your favourite fairy tales.



To find out more, read the full fascinating article on Matchacollege 

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Looking for a Romantic Suspense



Saturday, 30 April 2011

Kindle Romantic Suspense - New Book Cover

Tell Me A Story - News

I've just created a new book cover for WITHOUT REPROACH ~ a Romantic Suspense available on Kindle for only $2.99 (£2.13 UK) ~ to see if I can improve reader interest.

I have been reading how important it is for a book cover, especially on Kindle, to relate to the story and to convey a message in it's own right. So I took it to heart and produced a different cover.


Please give me feedback on it. Does it do anything for you?

Are you on Kindle - and if not, why not. Kindle books are available on PC and mobile devices with a FREE app - giving you access to thousands of cheap books. So get your Kindle app now from Amazon ~ then you too, can try Without Reproach

Friday, 11 March 2011

Romantic Suspense

Romantic Suspense

Now available on Kindle - WITHOUT REPROACH - a romantic suspense set in Spain. 

This romantic suspense is available for download on Kindle, at the low, introductory price of $2.99. However, three chapters are now available by kind permission of BookBuzzr for you to read FREE. Take a look at the fantastic BookBuzzr device below. Even if you don't want to read the novel, it is worth checking out to see how incredible the device really is, and how it works.


If you have a book ready for publication, why not consider using BookBuzzr, and allow the reading public to check your book before purchasing.
 

Read WITHOUT REPROACH by clicking on the icon below - A romantic Suspense.

www.bookbuzzr.com

Take this link to Amazon Kindle US to purchase the ebook  Romantic Suspense
Take this link to Amazon Kindle UK to purchase the ebook  Romantic Suspense


End of - Romantic Suspense -

Wednesday, 23 December 2009

Give yourself permission to write crap

Tell Me a Story - writing tip
AJ - Do you have any suggestions for those of us perfectionist/ slowpokes who have a hard time NOT editing as we write? Basically I write crap. I have to keep editing it away.
Hi, Billie. Thanks for contacting me. I can only suggest that because you understand your problem, the answer virtually lies in your own hands. Recognizing that you’ve hit an obstacle is certainly the first step - and even the best writer churns out crap in the first draft.

Some writers become drunk with their own words and don’t recognize what they’ve written can have anything wrong with it. They are deluding themselves. Their writing will remain crap.

Words have worth

Maybe your problem is the opposite in that you don’t believe your words have worth. If that’s the case, then you too, are deluding yourself. There is something of worth in everything you write. Amongst that crap will be a gem, and if you clean it up it will sparkle.

Once you acknowledge a first draft, warts and all, is an essential part of writing, maybe you’ll face it more philosophically and proficiently. No one is going to read your first draft. It’s for your eyes only, a scribbling of basic ideas.

Force yourself to write.

Striving for the ultimate is an essential part of success, but you really shouldn’t let it get in the way of putting that precious story down. Be hard on yourself. Force yourself to simply write until the draft is complete. When the draft is finished, you can give yourself full-rein to edit. You can be as harsh as you like – in fact, you should be severe. Stories are not written, they are re-written.

Overcoming the problem.

Years ago I had trouble with putting profanities into my work.

I overcame the problem by writing a whole story using the most foul-language I could dream up. I let it flood out; in fact, I overdid the writing. The story was unreadable because of this overuse of swear words, but it cured me.

Maybe you could try something similar with, say, a version of your very own NaNoWriMo. Set your own target then write like mad for a month – forget quality – forget story content – just give yourself permission to complete a novel-full-of-crap within a month.

Expect crap, write crap; be satisfied with crap - but you might be pleasantly surprised. You might even have a story you can use sometime – and you might just be cured.


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Tuesday, 25 November 2008

Without Reproach - First Three chapters FREE

Tell Me A Story 

Romantic Suspense - Free

Loads of you have been asking me to present the first chapter of my romantic suspense novel, Without Reproach, so you can see what it's about. I suppose it's no different than browsing through a book before you buy.


I have to admit I was a bit hesitant about it - but I bow to your wishes - after all, I don't suppose I'd ever buy a book without skimming a few pages.. So, you asked for it - I've made it available.


If you go to Scribd you can read THREE CHAPTERS - all quite free and easy. Please do it and let me know what you think.







End of post - Without Reproach - First three chapters FREE.

Saturday, 5 July 2008

Does Age Matter When Submitting a Manuscript?

Tell Me a Story - advice


AJ, I have two questions. I've heard from various people that some publishers make their choices based on the genre of the book that they are reviewing. My book is, well, it's trying to be fantasy (I'm still in the process of writing it and I should be done in at least five months if I keep working on it consistently). I was just wondering, is that statement true or false? And the last question is should I wait until I'm older to try and get it published? I know I don't know much now, and I'm thinking my thoughts on things may change, but I'm more worried that they won't accept my literature because of my age regardless if it's good or not. Libby J.

Libby J, it's certainly true you should be sure the publisher accepts books in your genre. It would be a complete waste of your time and their's to send a horror story, to a publisher who specializes in romantic suspense ... The best thing to do is check for suitable publishing houses in a trade book such as Writers' and Artists' Yearbook They describe who publishes what, and how to write a letter of submission. They also give information on reputable agents, which might be useful.


In terms of age, publishing houses don't normally question how old an author is. They'll only be interested in whether your work is up to scratch. My main concern is whether you have sufficient maturity of writing. You'll probably be up against writers who have years of experience, so be prepared for rejection - but having said that, rejection happens no matter what the age. It's an unfortunate fact of a writer's apprenticeship.


You certainly show signs of maturity in posing questions about your age and ability, so maybe you ARE ready. I certainly wish you well.
Good luck.
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Treachery: a romantic supense 

Without Reproach: a romantic suspense

Monday, 5 May 2008

The Misconception of Conflict

Tell Me a Story - writing tips.

I'm sometimes asked for my views on conflict in a novel. I don't suppose there are hard and fast rules, but some jump to mind, which new writers ignore at their peril.

Certainly, misconception as a foundation for conflict is a no-go-area. I seriously doubt if any intelligent reader would tolerate an artificial state such as misconception. Readers simply question why the protagonists don’t enquire and resolve the problem immediately.

I've listed a few ideas. I'll never claim the list to be definitive, just a guideline that can be expanded but never disregarded.

Conflict generally falls into one of three categories. Man against man; man against nature/inanimate things; or man against himself. Of these, man against himself, has perhaps generated some of the most powerful emotions found in books.
  1. Characters should always be in a circumstance from which there is no apparent escape. If there's a way out, there is no conflict.
  2. The conflict must be plausible. Whatever the reason, the conflict must seem rational within the framework of the story.
  3. The intensity of the conflict(s) must vary throughout the story.
  4. Individuals should never go over the top for the sake of contradiction or effect. The conflict must justify the response.
  5. Only one conflict should be allowed to run through the entire book. Minor conflicts should interweave but for only relatively short periods.
  6. No chapter should be without conflict but it should vary in intensity, rising and falling throughout the book.
  7. The novel should start with the main problem, continue with obstacles of varying influence, then draw to a close with the resolution of the main problem.
  8. You must resolve the conflict you started with.
  9. You must leave no loose ends. All questions must be answered.
If anyone has anything to add, I'd love to hear from you.
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Romantic Suspense